a reference to Mozart's great scene where people on a beach are menaced by a sea monster. A strong ROH2 schedule includes premieres by Scott Walker, Huw Watkins and Stuart MacRae in a season that will offer "fresh and interesting angles on the art form". But at least all other elements of this colourful staging coalesced into something that intermittently held my attention. Commissioned byBregenzFestival and the RoyalOperaHouse and premiered in 2011,Miss Fortuneis a contemporary re-telling of a Sicilian folk story. Judith Weir was born into a Scottish family in 1954, but grew up near London. ears ago, I read an Italian folk tale about a princess who, when her parents lose their money, is forced to live in poverty and make a living: weaving cloth, minding a wine store, washing clothes. 145 Miss Weir Photos and Premium High Res Pictures - Getty Images CREATIVE Collections Project #ShowUs Creative Insights EDITORIAL VIDEO BBC Motion Gallery NBC News Archives MUSIC BLOG BROWSE PRICING ENTERPRISE VisualGPS INSIGHTS BOARDS BASKET SIGN IN Images Images Creative Editorial Video Creative Editorial FILTERS CREATIVE EDITORIAL VIDEO Ivelina Ivanova She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. To book tickets visit:. Judith Weir was born into a Scottish family in 1954, but grew up near London. Tina's wealthy family lose all their possessions overnight and she is thrown into a life of poverty. [4] She received the Lincoln Center's Stoeger Prize in 1997, the South Bank Show music award in 2001 and the Incorporated Society of Musicians' Distinguished Musician Award in 2010. slogan. Miss Fortune is based on a Sicilian folk tale, and Weir's own libretto abstracts the story and creates a sort of moral fable that rather reminded me of Georg Kaiser's From Morning to Midnight and David Sawer's brave attempt to turn it into an opera in 2001 at English National Opera. BBC Radio 3. She had taken a hiatus to focus her energies on a host of other endeavours including orchestral composition and leading the BBC's annual composer weekend at the Barbican in 2008. Definitions of Judith_Weir, synonyms, antonyms, derivatives of Judith_Weir, analogical dictionary of Judith_Weir (English) . Judith Weir Net Worth & Basic source of earning is being a successful British Musician. The evening began with a compelling staging of Menottis frothy score, a romantic two-hander with music somewhere between Broadway and Italian verismo and first performed in the UK at the Aldwych Theatre in 1948. Are launderettes, kebab vans and bankers really the stuff of opera? I registered a faint sense that my opera plot was already out on the street, but I didn't think all the detail it contained the violent destruction of property, the collapse of the middle class would soon become true as well. Joana Praa* Miss Fortune. In January 2008, Weir was the focus of the BBC's annual composer weekend at the Barbican Centre in London. Fate - Andrew Watts. Yn aml mae . During this time she began to write a series of operas (including King Haralds Saga, The Black Spider, A Night at the Chinese Opera, The Vanishing Bridegroom and Blond Eckbert) which have subsequently received many performances in the UK, Germany, Austria, the Netherlands, Belgium and the USA. Judith Weir was appointed Master of The Queen's Music, in succession to Sir Peter Maxwell Davies, in July 2014; and in January 2015 became Associate Composer . Kyra Coppini, Production Sound Engineers The role in Bregenz was taken up by the Prague Philharmonic Chorus, who gave touching performances while mastering illogical-looking English spellings like "rough" and "tough". Giulia Lussoso Gabriel Francis-Dehqani, Double Bass Nina Lim Is there another way?" "But the good thing," she added, "is that I completely forget to worry about singing the music.". In food terms this was a programme comprising starter and main course, a well-designed menu beginning with a romantic comedy and followed by a picaresque meditation on fate with much to nourish the ears, eyes and mind. . She went on to Cambridge University, where her composition teacher was Robin Holloway; and in 1975 attended summer school at Tanglewood, where she worked with Gunther Schuller. Did the huge generic trapezium in the middle of the stage represent the dizzying moral precipice over which we mortals all too often hurl ourselves, especially in the name of making opera? Fate Kieron-Connor Valentine Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in, Find your bookmarks in your Independent Premium section, under my profile. Miss Fortune in name and deed. Its not standard opera house instrumentation - even with a grand piano and much percussion, relatively small string and woodwind sections leave a fair amount of space in the usually crammed orchestra pit. RGT Birthdays today Hui Pang Lee The language needs sharpening to show us that this is satire. Do you remember your first pieces? In 2014-15 there were releases of The Vanishing Bridegroom (NMC) and Storm (BBC Singers/Signum). Jack Garner-Greene Get discounted access to unmissable art, See more art, music, film and theatre for less, Log in to access bookings, re-print pdf tickets, update email preferences and check out faster. Select from premium Judith Weir of the highest quality. During this time she began to write a series of operas (including, As resident composer with the City of Birmingham Symphony Orchestra in the 1990s, she wrote several works for orchestra and chorus (including, In recent years, Judith Weir has considerably expanded her choral catalogue, with regular performance by choirs worldwide of music such as her Christmas carol. She held the post of Composer in Association for the City of Birmingham Symphony Orchestra from 1995 to 1998. Above all, I felt justified in having written the opera in the first place. Barbican Born: 11 May 1954, United Kingdom Died: NA Country most active: United Kingdom Also known as: NA Judith Weir was born into a Scottish family in 1954, but grew up near London. Donna, proprietor of a laundry Laura Fleur (28 Feb & 4 Mar), Amy Holyland (2 & 7 Mar) . Photograph: Tristram Kenton for the Guardian. Issy Jordan From Wikipedia, the free encyclopedia. Tobias Campos Santinaque Most hurtle down the chute at once, all limbs flailing, and plunge straight into the wheelie bin of oblivion. The most recent opera is Miss Fortune, premiered at Bregenz in 2011, and then staged at the Royal Opera House Covent Garden in 2012. Written specifically for performance on American television in 1947, Gian Carlo MenottisoperaThe Telephoneis a romantic comedy in one act, written for just two singers and a hand-picked chamber ensemble of instrumentalists. Voices & Orchestra. One of these days someone might actually commission one of the many young composers at the sharp end of musical theatre creative song writers with their finger on the pulse of contemporary living. . Everything about Miss Fortune is benign and comfortable even Tom Pyes eye-catching geometric designs are thoroughly alienating, a garment sweatshop spotless and sanitised like the Royal Opera have re-deployed the spinning chorus from their last production of The Flying Dutchman. A short 90 minutes of music later, Im still not entirely sure what it is Ive just seen. 1 / 3. She went on to Cambridge University, where her composition teacher was Robin Holloway; and in 1975 attended summer school at Tanglewood, where she worked with Gunther Schuller. The second act has greater pace and vitality: the wise, witty Weir of old is back on form, but too briefly. Shana Moron-Caravel The much-publicised breakdancers of Chen Shi-Zengs efficient but actually rudimentary staging only serve to highlight how irrelevant Weirs musical language is to her conception. 5, Rimsky-Korsakov Legend of the Invisible City of Kitezh LSO/Noseda. After this she spent several years working in schools and adult education in rural southern England; followed by a period based in Scotland, teaching at Glasgow University and the Royal Conservatoire of Scotland. It didnt help that the singing from Rossington and Valentine lacked clarity and I had to second guess some of their dialogue. Sad to say but Judith Weir's sixth opera is an embarrassment. Amongst her priorities in this role are the support of school music teachers, of amateur orchestras and choirs, and of rural festivals. Florian Panzieri as the kebab seller Hassan impressed with his clear tenor and mezzo-soprano Laura Fleur as Donna brought verisimilitude to her scenes at the laundrette. MISS FORTUNE is a contemporary re-telling of a Sicilian folk story. Start your Independent Premium subscription today. Weir was appointed a Commander of the Order of the British Empire (CBE) in the 1995 Birthday Honours for services to music. The best in live events, streams, reviews and articles recommended by our editors, delivered to your inbox weekly. Queasy chromatic scales rising and falling in the trombones is as close as we get to the dark happenings on the street. A chance lottery win enables her escape from poverty, and like all good fairy tales, she goes off into the sunset with the handsome prince, Jack Holton whose paean to a freshly laundered shirt made one of the few amusing moments. Commissioned by Bregenz Festival and the Royal Opera House and premiered in 2011, Miss Fortune is a contemporary re-telling of a Sicilian folk story. Intimate reinvention: Guildhall School of Music & Drama reassesses Judith Weir's Miss Fortune in a double bill with Giancarlo Menotti's The Telephone, directed by Martin Lloyd-Evans, conducted by. Iben Bering Srensen Joshua Saunders Ben Upthegrove Jonathan Eyers (28 Feb & 4 Mar), Jack Holton (2 & 7 Mar), Lord Fortune Jacob Harrison Judith Weir, Miss Fortune, Royal Opera, 12 March 2012 (British premiere) A member of Soul Mavericks Images: Royal Opera/Bill Cooper: Royal Opera House. It has been a hyperactive week for hubris, schadenfreude and any other not quite correctly used foreign words you care to scatter. Judith Weir explains why her latest work a parable about the financial crisis had to have them, Original reporting and incisive analysis, direct from the Guardian every morning, Straitened times Emma Bell and Anne-Marie Owens in Miss Fortune. SELECTED WORKS BY shows" JUDITH WEIR "Weir is a creature of the theatre and it FINANCIAL TIMES. In some ways I feel I've seen the piece for the first time, in a staging (by Martin Lloyd-Evans) which very closely expressed my intentions when I first imagined it. Vanessa Lingham, Stage Management Supervisor Former Culture Secretary says he would 'rather be thrown into a pit of scorpions' than listen to one of Judith Weir's operas; . But when the once wealthy Tina (a self-consciously red-headed but vocally resolute Emma Bell) turns on Fate (a wasted Andrew Watts) and halfway through this short and pointless evening enquires: Was it you who turned my life upside down? we know weve come precisely nowhere very fast. Chester Music #MUSCH61126. In January 2008, over fifty of her works were performed during 'Telling The Tale', a three-day retrospective of her music, hosted by the BBC Symphony Orchestra at the Barbican Centre, London. Weir, Judith. Silk Street Appointed in 2014 by Queen Elizabeth II, Weir is the first woman to hold this office. Judith Weir CBE (born 1954) is a British composer and the first female Master of the Queen's Music. Did it have to be this way? Menottis parade of operatic models coloratura showpiece, rage aria and lament were effortlessly pointed up and the rapport between the singers was communicated with both tenderness and impatience. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. DAME PATRICIA ROUTLEDGE: Facing The Music - A Life in Musical Theatre, Meyerbeer "Robert Le Diable", Royal Opera House (Review), GRAMOPHONE Review: Bartk Duke Bluebeard's Castle - Helsinki Philharmonic Orchestra/Mlkki, GRAMOPHONE Review: Prokofiev Symphonies 1 & 7/Lieutenant Kij Suite - Deutsches Symphonie-Orchester Berlin/Sokhiev, GRAMOPHONE Review: Mahler Symphony No. The most recent opera is Miss Fortune, premiered at Bregenz in 2011, and then staged at the Royal . In July 2014 Judith Weir was appointed to the 395-year old royal post of Master of the Queen's Music, in succession to Sir Peter Maxwell Davies. Judith Weir is a composer who, despite a huge body of work that ranges from grand operas to piano concertos to songs for children, has never sought the limelight. Aoife Moran [10] In 2018 she was elected an Honorary Fellow of the Royal Society of Edinburgh. She has composed Concertos for Piano (William Howard) and Oboe (Celia Craig). My reworking begins with a financial crash and ends with an unlikely lottery win - yet I didn't set out to write a piece about. Judith Weirs Miss Fortune did not have a favourable reception when it premiered at Covent Garden in 2012, considered by some ill-suited to the Royal Opera House and lacking the musical engagement of her previously melodically rich operas and a decent libretto. SATB Choir and Organ Book Only Classical Composed by Judith Weir (1954-). It was a co-production with the Royal Opera, Covent Garden, London, and was written in English. Paul's Episcopal Church, Burlingame, CaliforniaThe Tree of Peace is by the contemporary English composer Judi. Interview by Judith Weir CBE HonFRSE (born 11 May 1954)[1] is a British composer serving as Master of the King's Music. So I arrived at Miss Fortune without any real idea of what I was going to get. Sad to say but Judith Weirs sixth opera is an embarrassment. And did the previous orchestra really play that F-natural all last summer and we never noticed? Both portrayals were wonderfully convincing musically and dramatically, each singer having an easy stage presence and voices that hold the ear with roundness of tone and crystal-clear diction. 4 booking fee per online/phone transaction. In this role she has written music for national and royal occasions, including the Queens 90th birthday celebrations and the UKs official commemoration of the 1918 Armistice. Susan Jane Matthews, organ1929 Skinner OrganSt. Although she has achieved international recognition for her orchestral and chamber works, Weir is best known for her operas and theatrical works. Hoodies and drug dealing delineate subsequent reversal of fortune for Tina whose seamstress colleagues (vocally in fine fettle) provided an opportunity for some highly effective choreography. [9], Weir is a member of the Incorporated Society of Musicians. But I personally have been feeling thoroughly revived after GSMD's energy-giving version of my 2011 opera "Miss Fortune" which opened at the beginning of March. Longfei Wang* Called Miss Fortune, the story is about money, fate and fortune. Oliver Mears' new production of Britten's chamber opera is a visceral reflection on tyranny and sexual violence. 3 - Larsson, Dsseldorfer Symphoniker/Fischer, GRAMOPHONE Review: Mahler Symphony No. Miss Fortune is Birtish composer Judith Weir's first operatic composisition in the last 17 years. S,Mz,Ct,T,Bar,bbar + 2(II:pic).1.3(III:bcl).1+cbn/, A series of performances taking place in London over the coming weeks shines a spotlight on the rich and varied output of composer Judith Weir, Spotlight on Judith Weir including orchestral works, opera and a world premiere. EC2Y 8DT. Judith Weir is a Honorary Patron for Sound and Music. The kebab shop and the breakdancers are great, but Tom Pyes sets have much more: giant, mirror-smooth geometric structures are brightly lit in primary colours and turned by video effects into a shifting industrial landscape, all set against a plain screen background lit with vividly coloured gradients. Albery's production allows the opera to speak for itself, although sluggish pacing in the pit detract from the musical merits of this revival. 2010-2023 Bachtrack Ltd. All rights reserved. Our website uses cookies to give you the best possible experience. Above all, I felt justified in having written the opera in the first place. No fee when tickets are booked in person. Miku Yasukawa For Rap read rhyming couplets. Appointed in 2014 by Queen Elizabeth II, Weir is the first woman to hold this office.[2]. Eva Gaidoni BBC Philharmonic/David, GRAMOPHONE Review: Shostakovich Symphony No 10, Mahler Symphony No 10 Hong Kong Philharmonic Orchestra/van Zweden, GRAMOPHONE Review: Mahler Symphony No. Judith Weir. Not something you often come across in opera. 28 pages. Where Weirs orchestral writing is full and rich, the vocal parts are for the most part agile and harsh. 4 - Julia Kleitner, Royal Concertgebouw Orchestra/Gatti, A Conversation With LIISA RANDALU: Schumann Quartet release 2nd CD, ENCOUNTERS: Edward Seckerson talks to Broadway composer LUCY SIMON, Edward Seckerson talks to RENE FLEMING about The Light in the Piazza, A Conversation With VASILY PETRENKO: RLPO Shostakovich Symphonies, A Conversation With SIR PAUL McCARTNEY: BBC Radio 4 Kaleidoscope, A Conversation With VICTORIA WOOD: New TV drama, Loving Miss Hatto, A Conversation With DAVID McVICAR & SARAH CONNOLLY: Charpentiers Medea, GRAMOPHONE Review: Shostakovich Symphony No. Tina, their daughter Erin Gwyn Rossington (28 Feb & 4 Mar), Cleo Lee McGowan (2 & 7 Mar) She teaches at Cardiff University. But this time round, it seemed even more relevant than to pay onstage attention to this subject. The composer Judith Weir wrote the opening work for last year's Proms. Galleries. The opera reworks a Sicilian folktale as a contemporary parable. Bogdan Skrypka 'Blond Eckbert' and 'Miss Fortune'. As far as one could tell, Paul Daniel conducted a good performance. Continue using the site as normal or read our See the CVs for Guildhall School Final Year Production Arts students. The much-publicised breakdancers of Chen Shi-Zengs efficient but actually rudimentary staging only serve to highlight how irrelevant Weirs musical language is to her conception. Weir was appointed a CBE in 1995 Composer Judith Weir CBE is to become the first female Master of the Queen's Music. Its story talks about the difference betweeen being rich and poor, and I was criticised at the time for imagining that this would be a permissable subject for an opera. Jos Hita Garca* Judith Weirsoperais a story aboutTinaand how her life dramaticallychanges course overnight; it is a story aboutfateand fortune. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Both the score and the individual performances Miss Fortune Operas. When the curtain rose on the UK premiere of Judith Weir's. Weir was born in Cambridge, England, to Scottish parents. Composed 2000. Paula Guerra Kosuke Shirai Honours for her work include the Critics Circle, South Bank Show, Ivor Novello and Elise L Stoeger awards, a CBE and The Queens Medal for Music. For Barbican performances, enter through the mainBarbican Centre entrance in Silk Street. Lady Fortune Amy Holyland (28 Feb & 4 Mar), Laura Fleur (2 & 7 Mar) Opera: Voices & Orchestra. Judith Weir (b1954 in Cambridge, England) first studied composition with a few lessons from John Tavener during her schooldays in London. 7. It was a co-commission between two big opera houses (Bregenz and the Royal Opera House) - and it will also have a new production in Santa Fe in a couple of years time. Miss Fortune in name and deed. The most recent opera is Miss Fortune, premiered at Bregenz in . The UK premire of Miss Fortune is on March 12th at the Royal Opera House. Holly Woods Weir, who succeeds Sir Peter Maxwell Davies, will be appointed for a. Judith Weir is a Honorary Patron for Sound and Music. She had taken a hiatus to focus her energies on a host of other endeavours including orchestral composition and leading the BBC's annual composer weekend at the Barbican in 2008. I loved the witty set (designer. WEI. For more information visit their website, Hear music by Judith Weir online at Spotify. Find Judith Weir stock photos and editorial news pictures from Getty Images. Everyone is meaner, more downcast, more jubilant. Manon Ogwen Parry Much of her music has been recorded, and is available on the NMC, Delphian and Signum labels. King Harald's Saga, Grand opera in three acts for unaccompanied solo soprano singing eight rles (based on the saga 'Heimskringla' by Snorri Sturlson, 1179-1241) is a monodrama by Judith Weir, commissioned by Jane Manning and premiered on 17 May 1979. Lisette Oropesa leads strong vocal performances in Handel's madcap tale of love and sorcery. Simon, a wealthy young man Jack Holton (28 Feb & 4 Mar), Jonathan Eyers (2 & 7 Mar), Chorus of sweatshop workers and party guests: The booking fee may be reduced on certain events. Never should the final authority be taken away from the composer, but a question might stimulate a rethink. In 1987, her first half-length opera, A Night at the Chinese Opera, was premiered at Kent Opera. What you think of Miss Fortunes music will depend very much on personal tastes: I found it music to admire rather than to love. But with few exceptions Weir has created cardboard characters that neither claim our attention nor engage our sympathy. Book Only. The four days of programmes ended with a first performance of her new commission, CONCRETE, a choral motet. Hassan, a kebab seller Florian Panzieri (28 Feb & 4 Mar), Innocent Masuku (2 & 7 Mar) You can contact him from. Had Kieron-Connor Valentines Fate been more malevolent his encounters with Erin Gwyn Rossingtons Tina would have had more emotional impact. Now based in London, she has had a long association with Spitalfields Music Festival; and has taught as a visiting professor at Princeton, Harvard and Cardiff universities. Steven van der Linden By the end of the act, I was finding it all rather wearing, and theres little in the way of flowing vocal lines to lift the heart. Look out for the paean to the perfectly laundered shirt sung by Simon (the excellent Jacques Imbrailo), which is a moment of pure comic genius. But when the once wealthy Tina (a self-consciously red-headed but vocally resolute Emma Bell) turns on Fate (a wasted Andrew Watts) and halfway through this short and pointless evening enquires: Was it you who turned my life upside down? we know weve come precisely nowhere very fast. Only Anne-Marie Owens's Donna, who runs a launderette, and Hassan the kebab-van owner, beautifully sung by Noah Stewart (the closest we get to beefcake), show signs of humanity. Natalie Alfille-Cook Was it a plane, a boat or a train? Nicole Ma, Percussion [2] See something missing? Composer Judith Weir tells the story to her latest opera Miss Fortune at a recent Insights event at the Royal Opera House. Applying that usage, it has had many "adventures" over the years and the discard pile is high. The gap between failure and success in the theatre can be as narrow as a hair's breadth. Edward Seckerson in The Independent (London) wrote of "Miss Fortune in name and deed" and described the opera as "silly and naive" and "a waste of talent and resources", with a libretto that "vacillates between the banal and the unintentionally comedic (or is that irony? Judith Weir's Miss Fortune is an entertaining night out. Ami-Louise Johnsson The absence of an intermediary sparring partner in the shape of a librettist may have made it difficult for the right person to say to Weir "more here, less there". Even Fate (countertenor Andrew Watts), with his "cloud" of street dancers, is no more than a mildly creepy stalker. Caroline Moores, Head of Recording & Audio Visual Julia Sanchez Merino She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. Yn ogystal, mae'n gyfansoddwr o ddarnau cerddorfaol a lleisiol, gan gynnwys Concerto i'r Piano (1997), The Welcome Arrival of Rain (2001), ac In the Land of Uz (2017). Originally intended as a curtain-raiser for Menottis The Medium, the worksalternative title,LAmour trois, refers to the rival claims of a telephone that incessantly interrupts Bens attempts to propose marriage to Lucy before he catches his train. Since a central theme of Miss Fortune is the big part accident and chance play in life, I wanted to write a role for Fate, who emerges from the shadows whenever events take a downward or upward turn, accompanied by his own personal cloud of chaos. Judith Weir's most recent major work is her opera Miss Fortune, which received its first performances on July 21, 2011 at the Bregenz Festival, directed by Chen Shi-Zheng and designed by Tom Pye. What drew you to composition? Serendipity, rather than the fate which clings to the protagonist of Judith Weir's Miss Fortune, led me to catch the last night of a double-cast spectacular at the Guildhall School of Music and Drama.What a tonic to find a top-notch young cast and orchestra working their disciplined socks off for conductor Dominic Wheeler and director Martin Lloyd-Evans after the dog's dinner of English . Judith Weir. OPERA NEWS, COMMENTARY, AND REVIEWS FROM AROUND THE WORLD. Judith Weir was born into a Scottish family in 1954, but grew up near London. In 2014 she was appointed . . The most recent opera is Miss Fortune, premiered at Bregenz in 2011, and then staged at the Royal . Tina (Miss Fortune) - Emma Bell. Location I loved the witty set (designer, Anna Reid) a luxury housing development, with a big sign outside promising "No social housing", something I'm all too familiar with as a local resident to the Vauxhall-Nine Elms "transformation". A new production of an earlier opera is always welcome news, to its composer at least, and it doesn't feel right to term these "revivals" - implying that resuscitation or even raising from the dead has been necessary. But now that the Royal Opera House's chorus has taken over, the opera seems to have moved into 3D. Digory Price In recent years, Judith Weir has considerably expanded her choral catalogue, with regular performance by choirs worldwide of music such as her Christmas carolIlluminare, Jerusalemwritten for Stephen Cleobury and the choir of Kings College Cambridge. World premiere at the Bregenz Festival on 21st July 2011 at the Festspielhaus, Bregenz, directed by Chen Shi-Zheng, with the Prague Philharmonic Chorus (director Lukas Vasilek) and the Vienna Symphony Orchestra, conducted by Paul Daniel. She has subsequently written one more "micro-opera", three full-length operas, and an opera for television. Two days after this premiere, the Royal Opera House announced the 2012/2013 new season and defended contemporary work as adventure, not measured by normal standards of success. Lady Fortune - Kathryn Harries. Theres usually plenty of hype surrounding a newly written opera performed at Covent Garden, but the carefully placed stories about Judith Weirs Miss Fortune are on the improbable end of the scale, featuring a flying kebab shop and a team of breakdancers. She has been commissioned by the Boston Symphony Orchestra (Music Untangled and Natural History) the Minnesota Orchestra (The Welcome Arrival of Rain) and the London Sinfonietta (Tiger under the Table); and has written concert works for some notable singers, including Jane Manning, Jessye Norman, Dawn Upshaw, Alice Coote, Ailish Tynan and Ruby Hughes. Asked to fall to the ground in terror at news of an approaching financial disaster, they ask, "Like in Idomeneo?" In 2014-15 there were releases of The Vanishing Bridegroom (NMC) and Storm (BBC Singers/Signum). The banality of the text follows the banality of the narrative, and the music doesn't rise above it. Last edited on 20 February 2023, at 10:43, Commander of the Order of the British Empire, Honorary Fellow of the Royal Society of Edinburgh, "Queen's new composer Judith Weir hails 'boss', "The wonderful Judith Weir With a Barbican weekend devoted to her music, the composer Judith Weir is being feted as never before", "Queen had 'immensely detailed knowledge' of music, says royal composer", "Judith Weir to be appointed first female master of Queen's music", "News Judith Weir appointed Master of the Queen's Music Music Sales Classical", "Judith Weir: the female music master with royal seal of approval", "The Ivors 2015 Winners, Ivor Novello Awards, Judith Weir", "Ms Judith Weir HonFRSE The Royal Society of Edinburgh", "Andrew Lloyd Webber piece among new coronation music", "Judith Weir Armida (2005) Music Sales Classical", "Musical Work rises from the concrete Barbican", "The State Funeral and Committal Service for Her Majesty The Queen", "The Black Spider review Weir's opera is ghastly gothic treat", https://genome.ch.bbc.co.uk/search/0/20?q=judith+weir+scipio%27s+dream#top, "A ringing coda: the music at the Queen's funeral was both solemn and sublime", Judith Weir on the British Music Collection, https://en.wikipedia.org/w/index.php?title=Judith_Weir&oldid=1140504219, The Prelude (20182019, flute, violin, viola, cello), This page was last edited on 20 February 2023, at 10:43.